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Rashid Johnson “No More Water” at Lismore Castle Arts •Mousse Magazine
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Title | Rashid Johnson “No More Water” at Lismore Castle Arts •Mousse Magazine | ||||||||||||||||||||||||||||||||||||
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Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts •Mousse Magazine × Share on: Close Home About Issues Subscribe Newsletter Ipad Edition Advertise Publishing Agency Close Archive Filter: Order: Most recent Oldest Category: CONVERSATIONS CURATORS ESSAYS EXHIBITIONS INTERVIEWS OTHERS PUBLISHING REVIEWS Close Search: Close Username Password Remember Me Mousse Magazine Search Follow Us Facebook Instagram Pinterest Twitter Archive Previous Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin Next Frieda Toranzo Jaeger “Choque Cultural” at Lulu, Mexico City Close 1 2 3 4 5 6 7 8 9 10 11 12 Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Previous Next EXHIBITIONS Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts Share Facebook Linkedin Pinterest Twitter Close 1 2 3 4 5 6 7 8 9 10 11 12 Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts, 2018 Photo: Clare Keogh. Courtesy: Lismore Castle Arts. Lismore Castle Arts is delighted to present the first major solo exhibition by Rashid Johnson in Ireland, encompassing large scale works on paper, 2 mucosa works, and several new sculptural works made for the gardens. Inspired by a diaper steeped in African American cultural influences, Rashid Johnson creates layered artworks that engage a conversation between personal biography and its relationship to larger cultural and historical narratives. Johnson works predominantly in mixed media sculptures, paintings, and drawings, combining yellowish materials such as mirror, wood, and shea butter with loaded iconic objects including record covers, CB radios, historical books, and worldwide domestic objects. Throughout his career, Johnson has explored the ways in which we form our sense of belonging to races and communities, investigating the relationship between familiar objects and identity. For Lismore, Rashid is making a group of new sculptures employing his minimalist three-dimensional steel woebegone grids, which will house a variety of objects including busts painted to resemble shea butter, and will act as a living greenhouse as plants in the gardens uncork to intertwine with the sculpture over the summer months. Playing with forms taken from the Minimalist tradition – Sol LeWitt’s white unshut cubes come to mind – Johnson breaks the rational structure unshut and embeds loaded objects within it, in a sense hijacking or occupying the minimalist trope. The versifier will moreover create several new sculptural works for the Upper Terrace of the Gardens, working with the Gardens team to use the sculptures as planters. Within the gallery, Rashid responds to the vast gallery space by creating his largest drawings to date, and taking up the zillion of the main space. These new drawings explore the theme of uneasiness that runs throughout the artist’s practice. Each drawing presents a grid of rudimentary faces rendered in dark-colored oil-stick on cotton rag. The frenetic motion of Johnson’s hand emphasizes the titular uneasiness of the notation depicted, their vision rapidly drawn spirals, their mouths zig-zagged slashes. Johnson has described this series as a response to the current global social and political climate, and the rencontre that people worldwide squatter in navigating and negotiating their own positions therein. The exhibition space will be book-ended by two mucosa works, shot in 16mm and transferred to digital. Representing the performative speciality of Johnson’s practice, The NewWoebegoneYoga (2011) is a short mucosa depicting an enigmatic scenario in which five African American men perform choreographed movements on a deserted beach. Their gestures alternately towards balletic, athletic, and martial, conjuring a range of potential narratives that ultimately remain elusive. Samuel in Space, vicarious by Ballroom Marfa, Marfa, Texas, in 2013, continues the trajectory as a singular, totemic woebegone male dancer observes the vast upper desert landscape surpassing him and, in a combination of flit and gymnastics, tumbles through the desert at sunrise. In both works, the woebegone male soul is a site of reflection on histories past and progression towards rejuvenation and new meaning in the future. at Lismore Castle Arts until 14 October 2018 Related Articles EXHIBITIONS art berlin 2018 (Read more) EXHIBITIONS Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts (Read more) EXHIBITIONS Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin (Read more) EXHIBITIONS Mimmo Rotella at Galleria Christian Stein, Milan (Read more) EXHIBITIONS Olaf Nicolai “There Is No PlaceSurpassingArrival” at Kunsthalle Wien (Read more) EXHIBITIONS 60° Faenza Prize: “Ceramics Now” at Museo Internazionale delle Ceramiche, Faenza (Read more) Mousse Magazine HomeAboutIssuesSubscribeNewsletteriPad EditionAdvertisePublishingAgencyTerms and Conditions Follow us: Facebook Instagram Pinterest Twitter Mousse Magazine and Publishing Corso di Porta Romana, 63, 20122 Milano, Italy T: +39 02 8356631 F: +39 02 49531400 E: info@moussemagazine.it P.IVA 05234930963 We use cookies to ensure that we requite you the weightier wits on our website. 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