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Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin •Mousse Magazine
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| Title | Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin •Mousse Magazine | ||||||||||||||||||||||||||||||||||||
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Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin
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Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin •Mousse Magazine × Share on: Close Home About Issues Subscribe Newsletter Ipad Edition Advertise PublishingOrganClose Archive Filter: Order: Most recent Oldest Category: CONVERSATIONS CURATORS ESSAYS EXHIBITIONS INTERVIEWS OTHERS PUBLISHING REVIEWS Close Search: Close Username Password Remember Me Mousse Magazine Search Follow Us Facebook Instagram Pinterest Twitter Archive Previous Work on Paper Art Fair, Lugano Next Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts Close 1 2 3 4 5 6 7 8 9 10 11 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie, Wall 墙, 2016 Courtesy: Nome Gallery, 2018 Xiyadie, Gate 门, 1992 Courtesy: Nome Gallery, 2018 Xiyadie, Gate (Tiananmen) 门（天安门), 2016 Courtesy: Nome Gallery, 2018 Xiyadie, Sewn 缝, 1999 Courtesy: Nome Gallery, 2018 Xiyadie, Car (Train) 车（火车), 1985 Courtesy: Nome Gallery, 2018 Xiyadie, Heaven and Earth 天地, 2000 Courtesy: Nome Gallery, 2018 Previous Next EXHIBITIONS Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin Share Facebook Linkedin Pinterest Twitter Close 1 2 3 4 5 6 7 8 9 10 11 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin, 2018 Courtesy: Nome Gallery, 2018 Xiyadie, Wall 墙, 2016 Courtesy: Nome Gallery, 2018 Xiyadie, Gate 门, 1992 Courtesy: Nome Gallery, 2018 Xiyadie, Gate (Tiananmen) 门（天安门), 2016 Courtesy: Nome Gallery, 2018 Xiyadie, Sewn 缝, 1999 Courtesy: Nome Gallery, 2018 Xiyadie, Car (Train) 车（火车), 1985 Courtesy: Nome Gallery, 2018 Xiyadie, Heaven and Earth 天地, 2000 Courtesy: Nome Gallery, 2018 NOME is pleased to present the first solo show of Chinese versifier Xiyadie in Europe, curated by Hera Chan, opening 16 June. Cut Sleeve, Split Peach shows a selection of Xiyadie’s works, traditional paper-cuts that are tenderly snipped and died by hand. The exhibition title originates in two early queer love stories fromWarmed-overChina. In the first, courtier Mizi Xia tastes a peach so sweet he offers it to Duke Ling of Wei to share. In the second, Emperor Ai’s lover Dong Xian falls unconsciousness on his sleeve, and rather than wake him, the Emperor cuts through the silk fabric. These illicit tales set the scenery for Xiyadie’s paper-cutting practice, in which a traditional form, dating when as far as the sixth century, is subverted through scenes of queer eroticism. Paper-cutting was first introduced in the warmed-over worship of siblings and gods, hung on the panes of windows and doors as symbols of luck and happiness. In Xiyadie’s trendy works, human beings are fused with nature and gay virility combines with the fertility of gardens and unprepossessing life. Xiyadie ways Siberian Butterfly – a name he chose without his move to Beijing in the 1990s as a migrant worker, where he became involved in the burgeoning gay subcultural scene. Surviving in the harshest conditions, the Siberian Butterfly maintains its pursuit of self-rule in an environment that does not lend political organ or representation to queer-identifying people. As Siberian Butterfly, the versifier flits between spaces, crafting a queer proposal for other worlds that are once possible. The splitting of zippo sheets of paper holds secrets only Xiyadie can tell. at Nome Gallery, Berlin until 13 October 2018 Related Articles EXHIBITIONS art berlin 2018 (Read more) EXHIBITIONS Rashid Johnson “NoIncreasinglyWater” at Lismore Castle Arts (Read more) EXHIBITIONS Xiyadie “Cut Sleeve, Split Peach” at Nome Gallery, Berlin (Read more) EXHIBITIONS Mimmo Rotella at Galleria Christian Stein, Milan (Read more) EXHIBITIONS Olaf Nicolai “There Is No Place Before Arrival” at Kunsthalle Wien (Read more) EXHIBITIONS 60° Faenza Prize: “Ceramics Now” at Museo Internazionale delle Ceramiche, Faenza (Read more) Mousse Magazine HomeAboutIssuesSubscribeNewsletteriPad EditionAdvertisePublishingAgencyTerms and Conditions Follow us: Facebook Instagram Pinterest Twitter Mousse Magazine and Publishing Corso di Porta Romana, 63, 20122 Milano, Italy T: +39 02 8356631 F: +39 02 49531400 E: info@moussemagazine.it P.IVA 05234930963 We use cookies to ensure that we requite you the weightier wits on our website. 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